Theater
There is little for the audience to take away from Red, except the anecdotal dramatization of an event inspired by Mark Rothko’s career.
Richard Nelson does not compel us to pay attention to his characters’ psychological disclosures, and his reluctance to underline is refreshing.
In truth, Three is not much of a play at all, but an anthology of “very special episodes” of an unproduced television or web series.
It is worth your time watching Shakespeare & Company’s two fine actresses come to an understanding that is cathartic and real.
“I was/am struck by the women in The How and the Why. I hadn’t seen them onstage before. Nor had I quite heard from them before.”
Rarely are Boston’s stages graced with a Shakespeare production that reaches this high a level of accomplishment.
With Julius Caesar, Bridge Repertory shows that it can assemble a strong ensemble and put together a memorable sensory experience.
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