Theater
A two-person engagement like Annapurna demands that mysterious quality from actors that we call “chemistry.”
This superb production offers audiences a chance to discover or rediscover an American classic.
The production, like so many I’ve seen staged by the Chester Theatre Company, makes the most of limited resources.
“Circus artists aren’t the best actors,” Shana Carroll notes, “it’s not their thing.”
This production of Driving Miss Daisy isn’t about conflict and irresolution, but sentimental reassurance.
Patrick Gabridge’s political satire presents some intriguing sci-fi-like concepts, but the play falls into too many narrative potholes.
There is nothing quite so exhilarating as watching Shakespeare done right – except, perhaps, watching one of his plays done right, twice.
Wild Williams is a marvelous antidote for the formulaic.
The effort to merge Deaf culture with the Book of Job becomes too much a burden for Craig Lucas’s family melodrama to bear.
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