Theater
This is a satisfying if limited production; the Harbor Stage Company is a troupe that is well worth keeping an eye on.
Authoritarianism is at its most chilling, at least in the theater, when everyone, the weak and the strong, takes it for granted.
Marjorie Prime explores the complex connections generated among four family members as they attempt to make sense of grief.
Once Eugene O’Neill and Tennessee Williams achieved success, they wanted to take on themes in their plays that challenged audiences.
Cry Havoc’s message: We expend energy in preparing young men and women for war, but no effort in re-engaging them into the life of not-war.
Eight by Tenn offers eight stories whose psychological depths and linguistic riches rival those of most full-length plays.
Cyndi Freeman and Brad Lawrence are accomplishing their mission: to bring the lowbrow entertainment of yesterday to the highbrow viewers of today.
Bread & Puppet Theater’s world of anthropomorphized trees and talking toilets is often funny, sometimes beautiful, and always memorable.
By the end, Autumn Stage comes off as a pint-sized No Exit.
There is little doubt in my mind that this powerful production of Blasted will be one of the high points in Boston theater this year.
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