Theater
Cyndi Freeman and Brad Lawrence are accomplishing their mission: to bring the lowbrow entertainment of yesterday to the highbrow viewers of today.
Bread & Puppet Theater’s world of anthropomorphized trees and talking toilets is often funny, sometimes beautiful, and always memorable.
By the end, Autumn Stage comes off as a pint-sized No Exit.
There is little doubt in my mind that this powerful production of Blasted will be one of the high points in Boston theater this year.
There’s a lot of love in the Lyric Stage Company’s production of Stephen Sondheim’s 1970 Tony Award winning show, Company.
About Clarence & Me looks tenderly … perhaps too tenderly …at some pertinent contemporary issues.
Among the driving forces behind Anna Deavere Smith’s latest solo work is a call to strengthen “our collective capacity for action.”
This fledgling stage troupe aspires to raise a call to arms.
This is a beautifully acted but grim 70 minutes of theater, a no-frills look at the dynamics of a struggle about life and death.
Arts Commentary: The Orchestra Gap — Europe vs. the US