Theater
Maureen Keiller and Will Lyman have performed numerous staged readings of Oh God and their intimate knowledge of the text shows.
The School for Scandal hasn’t dated a jot: put Snake, Mrs. Candour, and Mrs. Sneerwell on Facebook and watch civilizations totter.
Based on a graphic novel, the brilliant Historia de Amor is unrelenting in its darkness. It’s as if we’re swimming in a pool of India ink.
Threesome is sharply written, bitingly funny, and ultimately devastating.
Zahdi Dates and Poppies demonstrates that the formal aspects of Noh can be adapted to contemporary American themes.
Willing Suspension Productions serves as a valuable counter-balance to American academia’s Shakespeare-centric curriculum.
Anne Washburn has a number of good ideas in this play, but the execution falls short.
Gina Gionfriddo’s would-be black comedy about the American worship of money and status is a misfire on all levels.
Director Lee Mikeska Gardner has put together a dazzling production that matches Tom Stoppard’s dazzling script.
Despite this, he is vexed by how the play draws out the anti-Semitism of English audiences
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