Television

Television: “Alabama Snake” — The Wild Wiles of the Serpent

December 14, 2020
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Alabama Snake is crazy, but it also provides the kind of off-kilter insights into humanity one finds in the best of Southern folklore

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Arts Feature: Best TV Shows of 2020

December 10, 2020
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We were driven indoors and told to stay there, so we turned to our screens for entertainment.

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Television/Theater Review: “Ma Rainey’s Black Bottom” — Listening to the Lessons of the Blues

December 10, 2020
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Ma Rainey’s Black Bottom is a stellar artistic accomplishment, a blazingly powerful dramatic experience.

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Television Review: “Selena: The Series” — Determined to Be “Nice”

December 5, 2020
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The series’ inspirational message comes at a good time in our crisis-ridden country, but its focus on reassurance isn’t very dramatically compelling.

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Television Interview: Talking with John Wilson, the Mastermind behind HBO’s “How to with John Wilson”

November 25, 2020
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“I don’t want to show myself because I don’t think I’m very interesting to look at. The world is filled with so many other interesting things to look at.”

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Television Review: “Animaniacs” Reboot — Out of Step

November 24, 2020
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The new Animaniacs provides no good reason for reviving Yakko, Wakko, and Dot in the 21st century.

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Television Review: “Paranormal” — Egyptian Ghost-busting

November 9, 2020
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The spooky adventures in this Netflix/Egyptian produced series are entertaining enough to deserve a second season.

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Television Review: “How To with John Wilson” — Fascinating Adventures on the Fly

November 1, 2020
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In this brilliant series, documentary filmmaker John Wilson captures the absurdity of life in New York.

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Film Review: “Borat II: Subsequent Moviefilm” — A Suitably Savage Satire

October 26, 2020
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Sacha Baron Cohen uncovers enough destructive inanity in Borat II to justify the savagery of its satire of American ignorance.

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Film Review: Toxicity Roulette — 1969, 2020, and “The Trial of the Chicago 7”

October 23, 2020
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In the end, The Trial of the Chicago 7 strikes a reasonable balance between historical document and cinematic art.

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