Review
Praise is due Peggy Pearson and Winsor Music for providing a forum for the talented young composer Lev Mamuya.
Dramatist Melinda Lopez’s “Becoming Cuba” holds your attention even after you see just where it is going and why.
Far from being the cool, detached, and cerebral creations of the color field artists, these quilts, imagined in their intended context, are deeply personal, sensuous, and alive.
“Fargo” creates its own world of crime and moral conundrums while delivering a fair share of blood. Whether the TV series delivers on its promise to be in the same aesthetic world as the original movie is an open question.
A fast-paced, fact-laden book by two “Boston Globe” reporters about the 2013 Boston Marathon bombings that doesn’t answer the tough questions.
“Silicon Valley” is sharp fun for both the computer lingo-savvy and for the non-Tweet, non-Facebook crowd such as out-of-it me.
Three reviews of new classical music CDs: one is inviting, another lively, and the last could use more intensity.
Everyone these days is racing through “Blood Will Out,” an undeniably enthralling three-hour read.
Dramatist Savyon Liebrecht was recently in the Boston area for a residency with Israeli Stage — two of her scripts, both dealing with Freud and his legacy, received their world premieres here as workshop productions.
Recent Comments