Review

Fuse Theater Review: Singers Shine in New Rep’s “Closer Than Ever”

September 17, 2014
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Leigh Barrett and her collaborators sing and act beautifully, and they are obviously having a great deal of fun performing Richard Maltby Jr. and David Shire’s heartfelt songs about the trials and transitions of middle age.

Film Review: Philippe Garrel’s “Jealousy” — The Poignant Return of the Nouvelle Vague

September 16, 2014
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Jealousy is a misleading title for this touching movie, as the characters are less jealous than forlorn when those they love move on to other loves.

Theater Review: Nora Theatre Company’s “Emilie” — Where History, Feminism, and Science Fiction Meet

September 16, 2014
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At its deepest level, Emilie invokes the quest we all undertake to make sense of who we are, where we have come from, and where we are going.

Opera Review: Odyssey Opera’s “Die tote Stadt” — Setting the Bar Higher

September 15, 2014
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Nothing, until the very end of the opera, is ever settled or, even, as it seems: this is psychological musical drama writ large and graphically.

Book Review: “The Paying Guests” — Sarah Waters Serves Up More of History’s Ghosts

September 15, 2014
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We all have ghosts, the author seems to say. And in a larger sense, Sarah Waters’s ghosts are those of country and culture, her books a catalogue of the social changes shaking England from the Victorian era on.

Theater Review: Cut and Slash Done With Panache — Lyric Stage Delivers a High-Caliber “Sweeney Todd”

September 13, 2014
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To darken a story that already hinges on rape, murder, and cannibalism takes some doing, but the edgy Lyric Stage production pulls it off.

Film Review: “The Drop” — A First-Rate Noir Thriller

September 13, 2014
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The Drop‘s characterizations never go beyond hapless noir archetypes, but sharp dialogue, superb performances, and the unpredictable convolutions of the plot keep the viewer on edge.

Music Review: Boston Calling 2014 — A Weekend of Crazy Weather and the Festival’s Strongest Lineup Yet

September 12, 2014
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The fourth edition of Boston Calling boasted the music festival’s strongest lineup to date and the performances did not disappoint.

Movie Review: “Expedition to the End of the World” — Cool Beauty Marred By Too Much Hot Air

September 12, 2014
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As expected, Expedition to the End of the World is visually stunning. The problem is that we needed to see more of the world and hear less yakking from the humans who inhabit it.

Theater Review: “Guess Who’s Coming to Dinner” — Is This Meal Really Necessary?

September 11, 2014
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When it comes to race relations, America has a lot on its plate — there is no good reason to serve leftovers.

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