Review
In F, vertigo is often palpable. Evil exists. “The terrifying beauty of things” does, too.
The most striking part of The Better Angels is its cinematography. The naked branches on the thick, gray trees are silhouetted against a sky that seems unable to hold sunlight.
Elizabeth Harrower’s In Certain Circles is a stunning novel about class and marriage and power; Can Xue’s The Last Lover is a tedious surrealistic farce.
In the musical Far From Heaven, the pleasure of Cathy’s first-act dream overwhelms the anguish of her second-act awakening.
With Color Crossing, Kate Gilbert wanted to showcase “the collision between sights and sounds that make Downtown Crossing so vibrant.”
Free and fluid as it was, the set made memorable sense to the packed crowd at the Lily Pad.
Two new documentaries: one a love story about two athletes, the other an attempt to chronicle a small resistance movement among German students against the Nazis.
The highest praise for the way the great cinematographer Bridger Nielson has lit the film’s haunted house..
Recent Comments