Review
How does one keep a big band together long enough to make such brilliantly evocative sessions as that by Maria Schneider and the others listed here?
For classical music recordings it has been a remarkably rich year, especially over its second half.
The protagonist’s confrontation with his past barbarity is far and away the most compelling part of Out of My Hand.
Chi-Raq is a work of agitprop—preachy, strident, sentimental, even sacramental.
According to its web site, TUM operates mainly thanks to volunteers. We should be grateful.
1975 was when they officially began their reign. A fab year for sure.
The timeliness of this staged reading made for one of the most heated and engaged talk-backs for any of the presentations in Israeli Stage’s six-year history.
Andris Nelsons possesses a clear fondness for Slavic music and his Tchaikovsky performances in Boston have become can’t-miss events.
The music was so extraordinarily pleasant and well performed that the two-hour production breezed by.
Jess Foster’s clever script takes the trope of “cars are like women” to its logical, though unexpected, extreme.
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