Review
Makine may be plagiarizing himself, which is a perfectly legitimate thing for a writer to do, but scenes of spring snow and railroad stations become clichés even in talented hands.
Simplicity is the key to director Scott Edmiston’s passionate vision for this musical.
Love and Money is a short play, lengthened beyond one-act duration by stuffing a Cole Porter interlude into its middle.’
Claims that Stephan Micus erases international boundaries and makes one-world music get it backward. You visit his world on his records.
John Taylor introduces readers to an amazing array of sensibilities and life histories in a babel of languages from an atlas of nations.
James Lecesne’s one-man show delivers just what it promises….a lot of laughs and a few tears as well.
The Emerson String Quartet and Renée Fleming team up for one of the finest recordings of the year.
You could walk from Inman Square to Harvard, see Muddy Waters or John Lee Hooker play, and have your whole worldview changed.
The Bloody Hand stands alongside other autobiographical classics devoted to the First World War.
Arts Commentary: The Orchestra Gap — Europe vs. the US