Review
Israeli Stage has opened its sixth season, which is dedicated exclusively to female playwrights, with a haunting work that examines the complicity of an ordinary German in the Holocaust.
Boston Ballet’s reconstructed versions of Yakobson’s Pas de Quatre and four Choreographic Miniatures were a revelation.
The Huntington Theatre Company’s magnificent production of Stephen Sondheim’s masterpiece A Little Night Music is as good as it gets.
Rarely is an actor so completely miscast in such a pivotal role.
Gloucester Blue is a lively play whose glow is generated by the spirited, tragicomic performances of a cast that obviously delights in performing it.
Massenet’s instinct for drama and gifts as an orchestrator go a long way to carrying the piece, but it still can make for a long night at the theater.
In appropriate, a talented young playwright turns mischievous literary homage into a work of exhilarating entertainment.
When they watch Black Mass what are Bostonians seeing? A strange blend of reality and mythology.
Membership in academe comes down to those who never wanted to leave the comforts of college or those who see it as a launching pad for scoring big bucks.
Arts Commentary: The Orchestra Gap — Europe vs. the US