Review
The pieces in this exhibition are apt examples of just how smart and complex purely ‘decorative’ objects can be.
Complex and nuanced, Breathe thankfully owes little to our current assembly line of teen angst flicks.
Wesley Savick not only does a fine job of adapting Alan Lightman’s text, but in his role as director he squares the circle.
The BSO had a well-deserved couple of weeks off following their late-summer tour of Europe, and they took some time to regain their sea-legs.
Tram 83 mirrors the most sordid and chaotic features of contemporary African cities, in which non-Africans also remain intimately and often deviously involved.
Although there is a strangely dour tinge to this biography of Peggy Guggenheim, Francine Prose is ultimately fair.
The premise of the show, and especially the catalogue, is to put Corita Kent her rightful place in the pantheon of major American Pop artists
it’s useful to be reminded that Ronald Reagan, the revered All-American icon, was more simulacrum than savior.
ASP director Bridgette Kathleen O’Leary chooses a nuanced approach to Othello that hews closely to the text.
Theo Jansen’s kinetic sculptures delightfully blur the conventional lines that divide art, science, and storytelling.
Arts Commentary: The Orchestra Gap — Europe vs. the US