Review
This gem of a play that is guaranteed to make you gasp at its surprising conclusion and leave the theater reveling in its lush language and the outstanding performances.
The laughter in the production serves a useful purpose: it distract us from the serious narrative problems in Caryl Churchill’s script.
Filmmaker Alexandra Anthony’s ambitious debut documentary was, in essence, fifty years in the making.
Harold Pinter’s language can be enigmatic and deliberately bizarre, but it suggests arcs of passion and desire.
Clive James gets the most out of whatever’s on the page and isn’t shy about making larger connections.
Michael Lewin’s new album must surely rank among the most poetic and sensitive Debussy recordings of recent memory.
Divided into three acts and an epilogue, the film attempts to generate Shakespearean resonances, but the presentation is more mundane than tragic.
Philippe Petit’s feat has inspired an amazing documentary, and now an amazing feature film.
trumpeter–composer Mark Harvey’s imaginative conducting made the pieces work together in fascinating ways.
Drunk Stoned Brilliant Dead is mostly a straight-ahead telling of the vivid life of the National Lampoon.
Arts Commentary: The Orchestra Gap — Europe vs. the US