Review
A fascinating documentary in which you get both a Paul Taylor dance and the making of the dance.
This year’s fiasco at Rototom Sunsplash proved that political energies can drive great art but have no place when it comes to programming and curation.
The New Repertory Theatre is paying homage to Arthur Miller’s centennial with a superb staging of one of the dramatist’s later works, Broken Glass.
is one high-energy spectacle: it is far more of a performance art piece than a ‘well made’ play.
It’s always been fun, the best festival in North America to educate oneself with movies from foreign lands.
From the opening moment of this show, suspension of disbelief flies out the window and never returns.
Dan Hodge turns two hundred and fifty stanzas of Shakespeare’s rhyme royal into the stuff of a high-class poetry slam.
Antoine Volodine is a master of the prolonged, very prolonged, tongue-in-cheek spoof. But he is also dead serious.
Arts Commentary: The Orchestra Gap — Europe vs. the US