Review
The Convert is a complex historical drama that shows us individuals crushed among powerful contradictions.
Company One’s actors are top notch and they expertly serve the production’s antiquated style of non-realistic acting.
Fighting God is logically argued, lucid, and makes a powerful case for a more secular nation.
This season’s three-week commemoration of the 400th anniversary of Shakespeare’s death – the first such thematic series of Andris Nelsons’ BSO directorship – go off to a compelling start.
I look forward to more collaborations between these two ensembles, who were born to make, as they say, really beautiful music together.
South African choreographer Dada Masilo goes even further into the Swan Lake fantasy: here, the characters, men and women, are all swans.
Nice Fish serves up a deliciously droll brand of American existentialism.
Jean Epstein’s body of work is full of pleasures and surprises: this vigorous director broke ground for filmmakers and cinematic movements to come.
Fest Review: IFFBoston Shorts — Part One