Review
What’s most interesting about And Again is precisely what gets the least narrative attention.
It’s Twilight Zone eerie, as we embark on an anthology film of connected horror stories all happening on the Lost Highway.
Women still dominate the dance field as performers and choreographers.
The lightheartedness of the writing and Moore’s unkempt look are jarring, but the film effectively delivers lessons about progressive policies.
The Coen brothers, Joel and Ethan, provide an on-target parody in Hail, Caesar!, their funny period comedy set in ’50s Hollywood.
The Finest Hours gives the audience two hours of fast moving, visually pleasing, easily digestible entertainment.
Clear some room on the mantle of cinematic disgrace for The Choice, an utterly drippy romance.
Milk Like Sugar cries out for dialogue and confrontations that direct us deeper into the conflicts the young women face.
The Lady in the Van is quite enjoyable, but has a significant flaw.
Fest Review: IFFBoston Shorts — Part One