Review
Tim Winton’s memoir about how deeply Australia’s landscape shaped him and his writing.
That Shostakovich left such a musical testament is, in its own way, miraculous; and it continues to speak to us with immediacy and power.
Chevalier is a hilarious but unapologetic glimpse into bad behavior among men who fancy themselves among society’s elite.
At the Lyric Stage Company, Peter and the Starcatcher charms, but doesn’t quite take flight.
What fun to have meat carved off the revolving spit!
This is a rich evening of theater because it takes up social and psychological problems that aren’t ordinarily addressed on our stages.
One takeaway from the concert: music can be forward-looking and even provocative without being off-putting and ugly.
An album of Brahms lieder from two musicians in their prime: Christoph Eschenbach and Matthias Goerne.
It says something about where we are at as a country when the absurdist’s voice is the only one that is persuasively human.
Fest Review: IFFBoston Shorts — Part One