Review
High-Rise‘s urban apocalypse is laid on thick. One wishes for a modern existence that is not quite so alienating.
RoosevElvis turns out to a sort of slaphappy homage to two American legends, a genial romp that sticks to stereotypes.
The director approaches his Star Wars interviewees with obvious glee, but he’s also on a quest.
Although Anger and Forgiveness is a work of systematic philosophy it is also provocatively personal.
A Great Wilderness dramatizes the plight of a believer who is forced to face a powerful truth about himself — that he has probably wasted his life.
Oh, it’s a strange world, ballet — filled with rituals and practices that Mary Jane Doherty captures with sharp-eyed grace.
When it comes to dramatic debate, balanced parry and thrust are paramount.
What interested me about Bitches Brew was the chance to discover how choreographer Karole Armitage re-rigs classical ballet steps.
The Rasas are but the latest in a series of remarkable scores John Harbison has been turning out over his eighth decade.
Once and For All asserts the value of Delmore Schwartz’s provocative and multifaceted literary legacy.
Fest Review: IFFBoston Shorts — Part One