Review
On the whole, this anthology, along with igniting discussions about sins of omission, will make for entertaining browsing.
Few in the business proffer the same fusion of near-unbelievable chops/technique with an acute musical sensitivity that encourages near-miracles.
By opting to set Figaro as a straight comedy, Cucchi’s production glossed over the opera’s subversive edge.
A Dark Song’s terror lies in its slow, intense build and its overarching sense of doom.
The Fest’s music is mostly about audience participation — whether it’s dancing, sing-a-longs, or shouts of call-and-response.
This Sleeping Beauty teaches the audience that fussy costumes and wigs and long-winded storytelling are the apex of ballet.
Lydia R. Diamond’s dialogue is funny and cutting; when it needs to it digs deep, mining gems of psychological insight.
My 80-Year-Old Boyfriend is a joyous delight, an irresistible reminder that time flies.
Kendrick Lamar has produced a scattered album for a scattered time.
Recent Comments