Review
Two plays from major American dramatists interrogate how we come up with the stories we tell about ourselves.
All three pieces delivered eclectic dancing, appealing bodies, unostentatious scenic effects, and trendy but serious music.
It is not a movie for every taste; in fact, it is as close to watching paint dry as a film can get. I mean that in a good way.
Rapture is a worthwhile curio that grapples, entertainingly, with Modernism’s artistic, structural, and revolutionary quandaries.
In essence, Arrabal is a celebration of Argentina’s wonderful dance tradition, the Tango.
In all, Chorus pro Musica’s production was witty and diverting, timely in spots and smart throughout
This production’s approach to Bulgakov’s source material is refreshing in its directness; it’s also bursting with visual and auditory inventiveness.
The Cantata Singers prefaced its intriguing, Jewish-themed performance with a marvelously sensory, spiritual experience.
Offering a carefully calibrated, nearly static universe, Beth Gill relies on the audience’s imagination to fill in any question marks
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