Review
For recorded sound, for brilliance of orchestral execution, and for interpretive concept, Janowski is one of the 21st century’s best Wagnerians.
Mark Greif’s analyses can be sharply counter-intuitive..
Ballet steps from the classroom were sprinkled in with modern dance, moonwalking, shimmies, groping duets, and any other kind of movement.
Conductor Benjamin Zander and his band were at their collective best performing Tchaikovsky’s Symphony no. 6.
Bad Moon Rising turns out to be justified by new evidence, some of which will be surprising to all concerned.
Christine is less interested in serving up a moral lesson or providing sociological analysis than generating sympathy.
Despite an appearance by Satan, this is not all that frightening a yarn for Halloween, but the MRT’s production is absorbing nonetheless.
It’s the wild mind of puppeteer Paul Zaloom that’s really on display here.
Sarah Ruhl attempts, but fails, to discover illuminating similarities between the powerful then and now.
With an artist as focused and sharp as Danilo Pérez as its musical director, Jazz 100 makes you sit up straight and hang on every note.
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