Review
Gustavo Dudamel takes over the reins of the Vienna Philhamronic’s annual New Year’s concert; a disc of chamber music by Andre Previn.
The Boston Camerata’s lucid production placed emphasis on music and movement and a chiaroscuro-inspired use of light and shadow.
BMOP releases a fitting, moving tribute to a giant of contemporary music; Johannes Moser turns in a sweeping performance of Elgar’s Cello Concerto.
At first,The Autopsy of Jane Doe comes off as a sort of small town crime thriller, but it slowly evolves into what feels like a bonafide horror film.
Profoundly conservative and radically fresh, Mass Appeal justifies its title in the Peterborough Players fine production.
Hats off to harpsichordist Justin Taylor for the resonant, gripping performances he turns in on his debut album.
This is a script with an exquisite sense of balance; Trans Scripts, Part I is thoughtful, informative, honest, and playful, all at once.
Company One’s production of this unconventional work is absorbing: this is the kind of exciting theater that we need to see more often.
I like to see dances that are somehow all of a piece. Hope this doesn’t mean I’m sinking into some kind of retro-fogeyism.
Book Review: “Hope in the Dark” — An Homage to Community
Now, more than ever, It’s worth being reminded of our natural potential for good.
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