Review
We are invited to see the world through the eyes of an adolescent whose autism makes human communication and contact incredibly difficult.
Coming of age in today’s world is a tumultuous and confusing experience; Ken Urban’s script expertly taps into these modern anxieties.
A festival of Gumboot and Pantsula at Rhode Island College featured a large cast of virtuosic dancers and engaging musicians.
Comparisons and guesses about influence aside, poet Richard Hoffman’s voice is individual, original, and strong.
The short volume promises a glimpse into Patti Smith’s intuitive creative process — but disappoints.
Far more impressive than pianist Martha Argerich’s impeccable mechanical abilities are her interpretive chops. Here, she’s truly in a league of her own.
That’s why Wadada Leo Smith’s musical visions are so miraculous: there’s an impression of drift, yet they rarely meander.
Faye Driscoll’s muddled version of taking artifice apart is far too familiar; we’ve done it all before, seen it more than once.
Poet Rob Cook bends time and space at will, dispenses with natural laws when convenient, and shuffles sensory perception like a deck of cards.
The King’s Choice is a thoughtful nail-biter, a suspenseful historical drama.
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