Review
For all the surface-y beauty of the BSO’s playing, it’s a dull interpretation of Anton Bruckner’s Symphony no. 3.
Read MoreThe Emerson Quartet is as restless and curious as ever; pianist Simone Dinnerstein is featured on a treasure of a disc.
Read MoreBoston Early Music Festival tossed a bang-up evening of performances on Monday night.
Read MoreWhy do such a high number of significant contemporary composers hail from Iceland?
Read MoreIn Trouble in Paradise, Lubitsch makes us feel complicit in the best of ways; he makes us feel clever.
Read MoreIf George Whitefield Chadwick had been born in, say, London or Munich, he might be better known today than he is.
Read MoreAlan Brody’s play is a pleasant valentine, and it will likely find a life in regional and community theaters.
Read MoreIf you want to see what courageous political satire really looks like, see Sara Taksler’s engaging new documentary about Bassem Youssef.
Read MoreThis is a fine exercise in arthouse horror — don’t expect elaborate monsters, an orchestral score, or CGI effects.
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Holiday Commentary: Making Room for the Stranger