Review
Ethan Mordden’s volume openly defies anyone to dismiss the American musical as mere fluff.
Summer 1993 is provocative, both for the raw depth of the emotions it evokes and the directness of its storytelling.
Do the games of the Marquise and Valmont still have the same old sinful fire and political relevance?
The Fuller Craft Museum’s appealing and thoughtful exhibit showcases a wonderful assemblage of diverse utensils and accessories used in domestic as well as professional kitchens.
Flat Earth Theatre has made a bold and relevant programming choice, taking on a play that examines how technology can both shape our illicit desires and fulfill them with ease.
The show had an undercurrent that brought to the fore all the issues that have put Wynton Marsalis at the center of the culture wars.
John Prine’s music on The Tree of Forgiveness is alert and nimble – not at all a retreat to the folkie bar.
Apart from a few weak elements, GBS’s Calendar Girls is a well-acted, well-staged comedic romp filled with wit, warmth, and genuine insight.
Composer Charles Villiers Stanford’s best traits were formidable indeed.
A chance to see two important works by pioneering African-American filmmaker Bill Gunn.
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