Review
Perhaps the idea is for the listener to come up with their own ideal blend, sort of a mix and max approach regarding the strengths in each disc.
Henry Cowell’s was an important, if now often forgotten, voice in 20th-century music.
Convenience Store Woman is an achievement — a satiric look at a mind that is intent on remaining empty.
A delicious, comforting gumbo of a Wiz with all the right ingredients for an upbeat, entertaining evening (or afternoon) at the theater.
Rupert Thomson’s Never Anyone But You is a quiet, expert, and inestimably engaging novel.
The Altenberg-Lieder feature Alban Berg at his most direct and concise, as well as his most sumptuous.
Evening at the Talk House is a savage indictment of our country’s acceptance of the immense, horrific violence necessary to maintain our consumer comforts.
Fall’s conflict is presented with insufficient power; its domestic tragedy is not propelled along its inevitably troubling course.
Could it be that choreographer Wayne McGregor choked in the face of the Rite of Spring challenge?
Rethinking the Repertoire #22 – Florence Price’s “Mississippi River Suite”
Composer Florence Price’s lack of acceptance into the American canon is shameful.
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