Review
To Sleep with Anger is a masterpiece, a powerful reminder that, however seductive the devil might be, he can be overcome.
Richard Pittman led the core players of BMV in a confident, evocative reading of the music.
The Boston Lyric Opera is mounting a fabulous staging of Benjamin Britten’s visceral opera.
Music Director Martin Pearlman had the excellent idea to cut out 6 of the 24 arias to make Jephtha move along, and it paid off.
The Bird King is an utterly lovely reading experience.
William Forsythe asks dancers to go beyond their mastery of technique — in order to have the music move audiences to a higher level of emotional involvement.
A 1962 concert performance from Radio Italiana, now on CD, shows how delightful Wagner can sound without barking and slow wobbles.
This inspiring show celebrates the 100th anniversary of the founding of The Bauhaus.
The disc is manna for lovers of assertive electric guitar, played by one of today’s top practitioners, in an unadorned trio setting.
Overall, Juliana Hatfield’s Weird is closer to good than to great.
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