Review
C.D. Wright has woven a poetic text that mirrors the tangled intimacy between humans and the beech, in all of its violence, its confusion, and its beauty.
The first three films I watched at SXSW this year were picked by me with the editors in mind. Not coincidentally, the editors also had pedigreed Massachusetts roots.
Springtime hits are on doubt on their way, but let’s not forget about February.
When it comes to jazz, you can be pretty confident that when you put excellent players together — whether they know each other or not — something very good will happen. And it did.
Monica Bill Barnes, a dancer-choreographer, mime, storyteller and soft satirist, has riffed in the past on the pitfalls of dancing, the vanity of performers, the absurdities of adolescence. Now she’s looking at gender displacements and assertions.
What are the best new documentaries available on digital platforms? Read on.
J. B. Priestly’s shallow characterizations keep his vision of moneyed skullduggery mundane rather than monstrous.
In Transit, Christian Petzold explores why the ghosts of Europe’s troubled past are stirring once more.
This is the most extensive public display of original J.R.R. Tolkien material for several generations.
The HTC’s Romeo and Juliet may be dressed in modern trappings, but the play’s elemental heart and soul are left fully intact.
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