Review
Atung and Moy have a lot to say about American history and culture — acutely informed by the playwright’s 21st century sensibility and identity politics.
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Living Colour gives us fair and balanced for those who fear becoming unbalanced.
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Nicholas Van Young supplied an astounding display of virtuosity that seemed to amaze even the dancer himself.
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With this fun and irreverent staging of Cyrano, GSC Artistic Director Robert Walsh has thrown audiences a delightful curve.
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Miguel Zenón’s extraordinary writing for strings and saxophone makes use of ever-changing textures generated out of jazz, Puerto Rican folk, and classical music.
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Hub Theatre Company’s production of The Taming is engaging, thanks in no small part to the hilarious performances of its three lead actors.
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The critic settles too comfortably too often on a familiar trope — Ireland’s sense of promise squelched.
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A baker’s dozen of recordings worth hearing . . . maybe even owning.
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This Midsummer Night’s Dream is a pleasant enough entertainment that is helped mightily by the bucolic waterfront setting.
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The release of previously unavailable recordings from Dexter Gordon and John Coltrane are causes for celebration. Two unforgettable voices in jazz — are back!
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