Review
A terrific release showcases the Boston Symphony Orchestra and composer Thomas Adès. Michael Tilson Thomas and the San Francisco Symphony deliver a radiantly honest recording of Aaron Copland’s Symphony 3.
One thing that gives Marc Maron’s comedy a certain punch is that he is an equal-opportunity crank.
Killing Eve is as exciting and compelling as ever. But its narrative structure is becoming somewhat fractured and increasingly odd.
Marc Petitjean seamlessly moves from describing intimate scenes to discussing Frida Kahlo’s art and its significance.
For those averse to sports, The English Game is focused more on attitudes and mores of the time than on the game itself.
This is a love letter, told honestly and poignantly, to the Vietnamese people, an homage to their dedication to remembrance, during and after a painful time.
Sigma Oasis is one of Phish’s better albums since the group reunited in 2009 after a five-year breakup.
Shakespeare’s role in American history is not immediately apparent — at least it wasn’t to me. Part of the considerable pleasure of reading this book is seeing how James Shapiro draws the connections.
I’d have to give the edge to Dave Liebman in terms of innovative creative reach. But Lakecia Benjamin more than holds her own in how she gives re-vitalizing attention to some very important musical roots.
Childish Gambino is hamstrung by ambition, but 3.15.20 still contains a bevy of enjoyable songs, including one or two tracks that brush against brilliance.
Recent Comments