Review
This performance was far more than special and crazily beautiful — it was extraordinary.
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Indo-Pak Coalition’s energized music and performance somehow manages to square the circle — it is as engaging as it is songful and intelligent.
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Kelley Donovan believes every dancer should own her movement, not just perform it.
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Just about every aspect of Loveless is executed perfectly.
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Kalinnikov’s First Symphony is one of those neglected works well worth beating a drum for.
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Skeleton Crew offers a redemptive look at a national tragedy — the financial crisis of 2008.
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Mostly, indie horror seems constrained, not by lack of funds, but by lackluster creativity and a sort of sloppy artlessness.
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This symphony is the finest synthesis of Leonard Bernstein’s considerable theatrical instincts within a concert framework, idiosyncratic and singular.
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In The Humans, Stephen Karam suggests that America can be a heaven that, in a moment, might flip into hell.
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Theater Commentary: “Skeleton Crew” — Not With the Union
To my surprise, the auto union was written out of the picture from the start, as if dramatist Dominique Morisseau saw it as an embarrassment.
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