Review

Theater Review: Playing “The White Card”

March 7, 2018
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The White Card‘s examination of white philanthropy and racism stays well within the comfort zone.

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Jazz Review: Accent — “In This Together”

March 7, 2018
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The music on Accent’s album is lovely and the singers render the arrangements with skill and commitment.

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Book Review: Charlotte Salomon — A Magnificent Act of Faith

March 7, 2018
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To mark the hundredth birthday of Charlotte Salomon, who is emerging as one of the 20th century’s great artists, come two fabulous volumes dedicated to her work. Read More

Concert Review: Pianists Daniil Trifonov and Sergei Babayan

March 6, 2018
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Their combined sound, made by two nested pianos, their lids off, aided and abetted by Jordan Hall’s superb acoustics, was irresistible.

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Book Review: László Krasznahorkai’s “The World Goes On” — Migrations of the Spirit

March 6, 2018
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It is proof of the translators’ skill that Krasznahorkai’s sentences work as well as they do.

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Jazz CD Review: Sara Serpa’s “Close Up” — Rewarding Ambiguity

March 5, 2018
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Singer Sara Serpa refracts, bends, suspends, and shifts sounds and syllables, creating a kind of linguistic limbo.

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Theater Review: “Winter Solstice” — The Neo-Nazi Who Came For Christmas

March 5, 2018
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Schimmelpfennig’s Winter Solstice is an important play by a major playwright.

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Rethinking the Repertoire #16 – – Franz Liszt’s “Dante” Symphony

March 4, 2018
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The deeply personal nature of the music’s narrative drew some extraordinary music from Liszt’s pen.

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Visual Arts Review: “Art in the Age of the Internet, 1989 to Today”

March 3, 2018
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Yes, digital technology can add real value to museum art exhibitions.

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Theater Review: “Ripe Frenzy” — American Guns

March 3, 2018
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Playwright Jennifer Barclay has created the perfect vehicle for generating a discussion about safety in our communities.

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