Review
The Beau Jest Moving Theater staging succeeds at conjuring up the genially comic spirit of the late Larry Coen, a bounteously talented actor and director.
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This was the first stage production in a while that had me on my feet at the end, and thinking and feeling about it long afterward.
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Jerome Robbins makes me think about how nonverbal characters can inhabit their times.
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It is this ability to ground their sophistication that makes the Macuco Quintet a band worthy of affection as well as admiration.
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The genius of this film is that no preaching is necessary; it makes its political point in an apolitical way, an art film that is, incidentally, didactic.
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The Black Clown commands the vastness of the Loeb’s stage with an enviable energy.
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Does Shakespeare need a digital makeover to stay relevant and entertaining?
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Choreographer Paul Taylor leaves a repertory that sprawled from the outrageous to the sublime.
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With this album, Luciana Souza has created her own indelible “book” of songs that ache and celebrate, muse and regret, dream and mourn.
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Summer Cannibals’ main virtue is its keen transmission of psychological warfare in families.
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Jazz Perspective: Zev Feldman – A Sherlock of a Producer with an Impressive Portfolio