Review
A new complete translation of the most accomplished novel by Yury Tynyanov, an innovative Russian man of letters during the experimental 1920s.
Thomas Grattan, a New Yorker with German roots, displays an observant eye and a way with dialogue in his first novel.
There’s a looseness, a jagged brio that gives the images in ¡Printing the Revolution! a visual bang — a kind of primal pop.
Could it be, I dream, that a resurgence in local video shops much be in the cards, like the vinyl record stores that are popping up everywhere now?
Children Under Fire examines gun violence in America, focusing on how it is threatening our nation’s children.
In its day, Ingagi raked in the crowds with a promise of weird African animals and “wild” women, and a teasing of bestiality.
In its celebration of current-day Black culture, and of the vitality of Black youth, The Inheritance is an optimistic work.
Two big bands, two different sides of the tradition.
There’s no question in my mind that Woodlands Dark and Days Bewitched will remain the definitive work on the history of folk horror for many years to come.
Violinist Hilary Hahn’s blend of musical curiosity, expressive savvy, and technical excellence doesn’t often appear in one person.
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