Review
Attention is being paid today to talented composers who have been sidelined or disdained because of their race, ethnicity, religion, or sexual orientation. Reynaldo Hahn qualifies on several counts.
Violation utilizes extreme violence not to revel in a revenge fantasy but to deconstruct the genre’s militantly feminist appeal — “kill your rapist” — as a self-destructive endeavor offering no catharsis whatsoever.
One might risk hyperbole by saying so, but in this instance such recklessness is worth it: this album sounds like Brahms as he ought to be played and sung.
This new satirical sci-fi fable is perfect for home streaming to channel (or perhaps exacerbate) your gnawing anxieties at a world slipping into anti-human automation and free-market desperation.
Klara and the Sun is a dystopian novel worth recommending: it is a thought-provoking joy to read.
This series taps into the inevitable horror we would all feel if we learned that we had once loved a monster — or that the monster we fear might be inside of us.
For Alex Ross, Wagnerism is as profound and far-reaching an aesthetic ideology – for good, ill, and all degrees in between – as any.
Those readers who embrace spiritual adventure — reincarnation as a mode of family therapy — will be illuminated and entertained by this book.
Fiddler Daniel Hope’s new all-Schnittke disc with pianist Alexey Botvinov brings with it a level of authority that demands respect.
It is the loss of memories and the meaning of memory that dominate, generating speculations that draw the reader into and through Maria Stepanova’s argument and interpretations.
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