Review
Author Ethan Mordden serves up plenty of entertaining yarns, sometimes as exaggerated as the genre to which they pay homage.
Aside from making generalities about “making good photographs” and “earning a living,” celebrated photographer Elliott Erwitt steadfastly refuses to be drawn out.
Some of the most insightful and moving parts of the biography are Neeli Cherkovski’s personal recounting of his on-again off again relationship with Charles Bukowski.
This terrific performance was the grand finale from a beloved dance festival doing its best under enormous pressure.
Visitors (of all ages?) were invited to drink copious amounts of liquor and possibly get laid. This was as close to Pinnochio‘s Pleasure Island as they were ever going to get.
In his book, Wolfram Eilenberger has provided an absorbing view of a period in Western intellectual history that was committed to the new.
This cover album is a pretty wild ride, yes, but Molly Tuttle navigates the course with supreme cool.
Movies, great or awful, are essential comforts in these nightmarish times. And in my second dispatch of the Fantasia fest, I bring better tidings.
With journalistic flair, The Years That Matter Most brilliantly shows how, in terms of college opportunities, the scales of justice tilt in favor of the wealthy.
Unhinged is one of the most violent films I’ve seen in recent memory where there is no excessive gun play. But who needs bullets when you are driving a two ton projectile powered by an endless, roiling fount of rage?
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