Review
The latest big band album from Mark Masters beautifully displays his eclectic tastes and deep knowledge of jazz history.
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Places Please! looks at the backstage life and trauma of performers.
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Frankenstein is a gripping amalgamation of the elemental and the technological.
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What is distinctive about Jane Gillooly’s superb documentary is its patient unfolding of the history of discrimination in a specific area.
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Life Is Strange 2 makes no secret about its sympathy for Mexican-Americans in the era of Trump.
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These are not stodgy actresses, but a diverse of group of women proffering salty temperaments, glowing façades, and the exquisite articulation that reflects decades on the stage.
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Lorelei Ensemble’s latest recording is awe-inspiring.
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The Clovehitch Killer is a creepy little movie about a creepy little idea, the parasitic kind that worms through the ear canal and eats away at brain matter.
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In his exhilarating translation of Pan Tadeusz, Bill Johnston captures Adam Mickiewicz’s wild fluctuations of register and brilliant associative riffs. The volume recently won the 2019 National Translation Award in Poetry.
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Though Al Stewart can’t hit the high notes like he used to, his distinctive, crisp voice is still strong and melodic at 72.
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