Review

Television Review: “The School for Good and Evil” — Too Complicated for its Own Good

October 24, 2022
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Based on the YA series by Soman Chainani, The School for Good and Evil offers little that is new about the adventures of discontented adolescents.

Theater Reviews: On Broadway — Tom Stoppard’s “Leopoldstadt” and Martyna Majok’s “Cost of Living”

October 21, 2022
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Two stirring dramas hit Broadway, one weightier than the next

Theater Interview: Performer Bill Irwin – Channeling Samuel Beckett

October 21, 2022
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“Samuel Beckett’s work speaks to me because he’s a very visceral writer. And, because I have training as a clown, I think of him as a natural clown.”

Film Review: Watching the Detective in Park Chan-wook’s “Decision to Leave”

October 20, 2022
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Yes, an ingeniously kaleidoscopic surface, but is there anything here, in terms of motivation, to justify all the fuss?

Classical Critic’s Notebook: Sergei Rachmaninoff’s Symphony No. 2

October 20, 2022
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Whatever Rachmaninoff’s conflicted feelings about writing symphonies were, there’s nothing ambiguous about the content of his Second Symphony. From start to finish, it’s a marvel of melodic freshness and brilliant instrumentation.

Film Review: London Film Festival Dispatch #2 — “Sick of Myself” and “Triangle of Sadness”

October 20, 2022
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Two over-the-top social satires take sharp swipes at modern excesses.

Book Review: “The Tree Stand” — Sharply Observed Stories of Hardscrabble Lives

October 19, 2022
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These are compelling stories about the trials and tribulations of dynamic, working-class characters.

Jazz Album Review: Marco Pignataro’s Superb “Chant For Our Planet”

October 19, 2022
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Chant For Our Planet is a great recording full of exciting ensemble playing, with lots of tasty solos and, if you want to listen in that way, an important theme that expresses deep concern for the state of our environment.

Television Review: “Rosaline” — Burlesquing the Bard’s “Star-Cross’d Lovers”

October 19, 2022
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Every few years a smart teen rom-com comes along that deftly puts a modern, and pleasingly iconoclastic, spin on a classic piece of literature.

Film Review: “In the Court of the Crimson King, King Crimson at 50” — Dreams and Nightmares

October 18, 2022
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Surprisingly, for a band whose hypnotic music throughout the documentary provides a continuum with menacing and meditative extremes that mesh with near-mathematical discipline, it’s the human elements that leave the greatest impressions..

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