Review
This hybrid narrative laces romantic adventure with a bit of horror, the supernatural, and mathematical derring-do—all within an increasingly realistic depiction of the times and of the people who survived them.
Richard Hell is the only New York artist of the past fifty years to give Lou Reed and Patti Smith a run for their money.
“Sirāt” is a heart-stopping, surreal reflection of our contemporary moment.
Steve Reich’s 1976 minimalist masterpiece, performed by Ensemble Signal, was a special event to see and hear live.
“Deepfaking Sam Altman” is an entertaining, off-beat deep dive into the hands-on tech needed to generate deepfakes. It also sounds the alarm about the growing imitative power of AI.
Director Baz Luhrmann’s exhilarating documentary-concert film gives us Elvis in his prime.
Admiring looks at a wealth of illuminating documentaries in this year’s gathering.
Disrepair is the leitmotif. The atmosphere throughout is dark and gray, tinting a sadness that to the narrator seems to be inexpressible.
What Allegra Goodman’s stories serve up could be called a vision of Jewish American Life Lite.
The ratio between fantasy and real life felt off in this uneven film version of Kander and Ebb’s 1990 musical.
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