Rock
“Since the late ‘60s I’ve been up and down the Northeast corridor, and Boston’s always one of our favorite stops.”
This month focuses on contemporary country-rap. It’s high time we take note of a fledgling genre on the verge of mass popularity.
The music Nick Waterhouse performs (almost all of which he writes) is consistently retro—not to mention relentlessly danceable and fun.
“Forgiveness is the key and love is the answer… Have a good Jazz Fest, but also have a good life.”
Luckily for us, after playing the occasional electrifying concert date over the years, Nervous Eaters is reuniting once again.
Drummer Nick Mason and his four non-Floyd bandmates turned Boston’s Orpheum Theater into a psychedelic palace.
Hal Blaine contributed so much to such a large number of rock and pop’s greatest hits, that his music will continue to be heard and appreciated for as long as there are radios.
The Flesh Eaters have returned with renewed vitality, after it hit some troughs and sputtered to a near stop.
Overall, Juliana Hatfield’s Weird is closer to good than to great.
Asked what the experience was like to go back and revisit his earlier recordings, Alan Parsons explained, “It’s actually very pleasurable, like stepping back in a time machine.”
Theater Commentary: Theater for Young Audiences — What Role Can It Play In Saving Our Democracy?