Rock
The Pixies could be anthemic, snarky, jaunty, or forlorn as they chose, which meant they were never boring.
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It is pretty clear that this Canadian band was not in the right place at the right time, despite the ferocious energy and speed of its music and sublime performances.
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Channeling equal parts Lucinda Williams and Levon Helm, the album features Robin Lane’s rich, earthy voice supported by sparse instrumentation.
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Sultry, smart, and sweet, From a Window To A Screen will be a perfect accompaniment to romantic winter nights.
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Unlike the slow, spacy stonerism of the 1973-77 era, early Pink Floyd is a much more rocking experience, and those foundational tunes of English psychedelia take on the excitement of punk to modern ears when heard live.
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At House of Blues, Fontaines D.C.’s brooding, bristling music was offset by shifting swatches of amber and purple lighting amid the shadows, casting the musicians in mysterious terms.
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As far as tour openers go, the concert on Friday presented no signs of a band holding back or slow to gain speed.
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Singer and songwriter Robin Lane talks about the genesis of her new album. She will be performing live around New England with a new ensemble.
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“I remember playing the Rathskeller. I think that was the second gig we had in the US. I remember what a dive that was. I remember how really exciting it was to be there. Just the promise, the potential.”
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The caliber of Richard Thompson’s voice is undiminished. His always expressive, frequently soothing timbre was perfectly intact.
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