Music

The 18th Annual Francis Davis Jazz Poll: The State of Our Union Could Be Better

January 2, 2024
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Major record labels were once notorious for trying to entice jazz musicians into selling out; they now find it more expedient to ignore them, leaving them to sell themselves.

The 18th Annual Francis Davis Jazz Poll: Rare Birds

January 2, 2024
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The special categories tend to get overlooked, or sampled erratically, in the new releases lists, so Francis Davis thought a nudge might help.

Concert Review: Blue Heron Does “Christmas in Medieval England” Right

December 29, 2023
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In this performance, Blue Heron conveyed enough merriment for Christmastime and beyond.

Musician Interview: “Terry Gibbs Plays Jewish Melodies In Jazztime” turns 60

December 29, 2023
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The album’s explicit mix of modern jazz and klezmer set a template that is still being used by many of today’s most prominent Jewish music experimentalists.

Arts Feature: Ten Best Music Documentaries of 2023

December 27, 2023
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Some of these films are easier to see than others, but they’re all worth seeking out.

Book Review: “Time’s Echo” — Listening to the Voices of the Past

December 26, 2023
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Jeremy Eichler calls on hearers to engage in “deep listening,” by which he means engaging the mind and heart not just with the music, but also with the historical, cultural, and artistic contexts that gave rise to it.

Arts Feature: The Best in Popular Music 2023

December 23, 2023
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Our music critics pick some of the standout albums and performances of 2023.

Arts Feature: Top Classical Recordings and Concerts of 2023

December 21, 2023
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Our classical music critics supply their favorites, albums and concerts, from over the past year.

Music Feature: The Best Jazz Albums and Live Shows of 2023

December 20, 2023
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The magazine’s jazz critics look back over the past year and highlight their favorite albums and live shows.

Music Commentary: Nanci Griffith vs. the “New Yorker”

December 19, 2023
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It was the sniping tone that made the article perplexing. I would almost call it perverse. Why treat so cavalierly — even shabbily — a deceased, highly esteemed, Grammy-winning artist?

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