Music

Latin Jazz Album Review: The Blustery, Bellowing, and Bluesy Sound of Dave Schumacher and Cubeye

April 16, 2024
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This is my kind of music, a tight latin jazz outfit that embraces great horn charts and explosive percussion.

Jazz Album Review: Noah Haidu’s “Standards II” — A Trio of Masters

April 12, 2024
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Pianist Noah Haidu’s impeccably performed and recorded “Standards II” is a winner.

Music Interview: Jay Ungar and Molly Mason — Still Playing Together After All These Years

April 10, 2024
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The renowned duo of Jay Ungar and Molly Mason perform what has been called American Roots music. But they’ve also been known to include traditional folk and ’40s jazz.

Music Interview: Matthew Sweet — After Five Years, Back on the Road

April 9, 2024
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The alternative rock/power pop singer-songwriter and musician was slowed down during the COVID years — but now he is back.

Concert Review: Cambridge Symphony Orchestra Explores an Immigrant’s Journey

April 5, 2024
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The Cambridge Symphony Orchestra’s recent performance supplied drama, vigor, and reflection.

Concert Review: The Sessanta Tour — Three of Alt-Rock’s Top-Tier Bands Triumphant

April 4, 2024
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Sessanta succeeded in making “old” songs and “old” bands sound powerful, vital, and progressive.

Music Feature: Rock Garden Records — Fertile Soil for Dynamic Artists

April 4, 2024
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“There needs to be a bigger sense of community in the music world. Artists and labels and venues need to help each other out. There’s a void out there and I think Rock Garden Records is a positive new development.”

Music Festival Review: 11 for 11 — Highlights of Big Ears 2024

March 31, 2024
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‘More than cool’ was the defining ethos at this year’s Big Ears, a sprawling, sold-out festival that finds a dozen venues running concurrently over four days and nights.

Music Commentary: A Deep Dive into The Mothers of Invention’s “Plastic People”

March 29, 2024
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Frank Zappa’s tight editing ensured that “Plastic People” was a compelling aural creation, and his fierce confidence compelled listeners to pay attention to the words.

Music Commentary: A Mystery Solved on the 50th Anniversary of the Release of “Queen II”

March 28, 2024
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It is well established that the lyrics to the song on “Queen II” that’s directly about the painting (called “The Fairy Feller’s Master-Stroke”) originate from a poem Richard Dadd wrote about his picture. What’s never been established though is exactly how Freddie Mercury became aware of this poem.

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