Music
The show had an undercurrent that brought to the fore all the issues that have put Wynton Marsalis at the center of the culture wars.
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By taking the stage with 15 musicians, none of whom is female, the Jazz at Lincoln Center Orchestra presents the music as segregated and outdated.
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John Prine’s music on The Tree of Forgiveness is alert and nimble – not at all a retreat to the folkie bar.
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For a composer who hails from Finland but found his spiritual home in Southern California, Esa-Pekka Salonen’s is a singular musical voice.
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Composer Charles Villiers Stanford’s best traits were formidable indeed.
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Perhaps the idea is for the listener to come up with their own ideal blend, sort of a mix and max approach regarding the strengths in each disc.
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Henry Cowell’s was an important, if now often forgotten, voice in 20th-century music.
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Composer Florence Price’s lack of acceptance into the American canon is shameful.
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The best festivals, like Disc Jam, build and deliver music-fueled experiences.
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Rethinking the Repertoire: Postlude
The moral should be to err in favor of the audacious. That’s what this world – and this art form – require.
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