Music
You might argue that this session was forgotten, but this new release shouldn’t be thought of as lost — because no one was looking for it
Rob Sheffield seemed to have promised a whale of an original tale but delivered only a few goldfish.
Four new albums: the standouts include the finest Andris Nelsons/BSO Shostakovich collaboration to date and the Neave Trio’s wonderful new French Moments.
Colin Carr supplied an extraordinary performance of Bach’s Six Cello Suites.
Conductor Aapo Häkkinen explores Robert Schumann’s writing for chorus;Andrew Manze caps off his three-volume Mendelssohn symphony survey with a glorious performance of the oddball Symphony no. 2.
Nightconcert contains enough that is new and fresh to make this album one of the exciting discoveries of the year.
Strong discs from Edward Gardner and the BBC Symphony Orchestra, Francois-Xavier Roth and his Paris-based period-instrument ensemble Les Siècles, and the National Orchestral Institute Philharmonic, an ad-hoc summer orchestra comprised of some of the U.S.’s finest conservatory musicians.
Garth Edwin Sunderland’s new chamber adaptation of this opera’s score, is, to date, the Bernstein Centennial Year’s best and most important recording.
You know a Cowboy Junkies tune the second that you hear it, but the songs don’t come off as formulaic or produced for mass consumption.
Anna Shelest’s new recording of piano-and-orchestra pieces by Anton Rubinstein is one of those albums that makes you want to rethink Rubinstein’s relative neglect in the broader canon – almost.
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