Music
Concerts in the past week by the Boston Symphony Orchestra with guest artist James Carter and the Orquesta Sinfónico de Puerto Rico with guest artist Luis Sanz were a cultural festival and a musical feast.
The album ends up paying dividends, not just for fans and students of 20th-century composition, but for anyone interested in the broader reach and global development of classical music in the last century.
Though Sibelius’s music has come to define whatever Finnish music is supposed to sound like, he certainly wasn’t the country’s only active, turn-of-the-20th-century composer.
Two jazz albums whose uncompromising visions succeed.
All three records were recorded at Rudy Van Gelder’s famous studio. The sound is what one would expect from Van Gelder, clear, bright and close: these LPs were made with care at every stage. I recommend all three.
“Standard Stoppages” is a veritable cornucopia of sounds experienced in multifarious combinations, showcasing a diversity of fresh, inventive, and satisfyingly expressive voices operating at full tilt.
‘60s pop aficionados know there’s more to The Cyrkle than its Fab Four connections.
Baritone saxophonist Pepper Adams was clearly a generous soul, as well as a stunningly accomplished jazz musician.
An occasional feature that looks at current jazz albums of interest.
Arts Remembrance: Donna Jean Godchaux — She Brought Soul and Grace to the Grateful Dead
Donna Jean Godchaux changed the Grateful Dead – adding a Southern accent and feminine energy to this rough-hewn psychedelic troupe – and the Grateful Dead changed Donna Jean Godchaux – elevating her from session singer footnote to jam-scene royalty.
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