Music
Perhaps “The Moment” did manage to nail one truth about the music industry: when fame and opportunity come knocking, it’s near impossible not to wring out every drop of profit.
Backbeats is a detailed and informative story. Each profile functions as an entry point into a selective but substantial survey of roughly seventy-five years of rock history.
Puscifer is alarmed that so many values, including bedrock rights, are under attack, with real people getting hurt (in some cases killed) in the process.
The members of Dave Douglas’ quartet members are alertly sensitive to each other and unfailingly intelligent in their choices, which makes them fun to hear.
The Folk Alliance International Conference is a business conference. But because the business is folk music, the event has become nothing less than a cultural celebration.
Two debut big band albums, one traditional and one progressive, are blowing in hot in the dead of winter.
If there’s anything the U.S. needs in 2026, it’s a recovery of Lincolnesque values—resolve, common sense, understanding, and charity. If such a renewal can get some impetus and sense of direction from a new recording, so much the better.
It’s hard to argue that the decision to forge careers as composer-pianists in the teeth of fin de siècle misogyny and rock-set views of musical gender roles wasn’t an act of defiance.
Shame’s latest record and Monday’s holiday show at the Brighton Music Hall both prove the twin-guitar quintet has matured in sound and spirit while still flashing youthful spunk.
Reflecting on our divisive politics, BSO music director Andris Nelsons told the concert audience that “Every tunnel has light at the end.”
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