Music
Cowboy Junkies has simply been too busy to wallow in the past, which has meant a lot of great songs have been untouched in concert.
The McCoy Tyner Legacy Band, in a program called “Blues on the Corner” had it all: the unrelenting, all-enveloping power that was a hallmark of Coltrane’s bands, but also an attention to dynamics, detail, and, most important, melody.
On this night, it was clear that Brittany Howard’s status as a force of nature came not from her bellowing vocals so much as the soulful subtleties she wove into high notes.
“America hasn’t lost its historical and romantic legacy for British bands. At least that’s the case with us, anyway.”
A rare chance to listen to saxophonist Charlie Rouse with a biggish band, the new “Cinnamon Flower” is a welcome set.
Super-talented band with sharp material, big label backing, hot-shot producer, top-shelf recording studio—what could go wrong? Plenty.
The Pogues leaned on their instrumental breadth when they took the Suffolk Downs stage as an 11-piece ensemble augmented at times by guest singers and a three-piece horn section.
Ideally, if the verse and the music work seamlessly together, they can create a third kind of art that is neither fish nor fowl. It can stand alone on its own merits.
By Scott McLennan The Outlaw Music Festival’s overall pacing of performers from newest to most veteran offered an interesting overview of how country, folk, and rock have blended over the decades. Over the course of its 10-year existence, the Outlaw Music Festival has supplied one of the few satisfactory working definitions for the musical label…
Arts Remembrance: In Memoriam, Christoph von Dohnányi (1929-2025)
Christoph von Dohnányi was a rare breed: a truly great artist whose mind never rested and whose standards never settled.
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