Music

Rock Album Review: Goose’s “Shenanigans Nite Club” — Likeable and Durable

June 9, 2021
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The group’s exuberance makes it easy to like, an enthusiasm that is compounded by the quality of its live shows and its recordings.

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June Short Fuses – Materia Critica

June 7, 2021
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Each month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief reviews.

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Classical Album Review: Richard Danielpour’s “An American Mosaic” — A Potent Reminder of Shared Humanity

June 7, 2021
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An American Mosaic is a fascinating study of how a contemporary composer can fuse the gestures and syntax of a tradition rooted in Bach with contemporary sensibilities.

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Classical Album Review: Antonio Pappano conducts Vaughan Williams’ Symphonies 4 & 6

June 6, 2021
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These are tough, feisty, devastating pieces — easily among the 20th century’s finest symphonies — and they receive ferocious readings from Antonio Pappano and the LSO.

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Rock Album Commentary: Rostam’s “Changephobia” — The Sound of Heroic Optimism

June 5, 2021
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As we emerge from the pandemic, Rostam’s Changephobia strikes the right healing notes for fatigued ears.

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Rock Album Review: Black Midi — A Dizzying Mashup

June 4, 2021
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If you’re up for a lofty challenge, the experimental British rock outfit Black Midi is more than poised to fill the void.

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Film Review: “Buster Williams: Bass to Infinity” — Portrait of a Jazz Artist

May 31, 2021
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This fine documentary of a highly respected elder bassist presents a clear, focused picture of a man who is also a jazz musician.

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Rock Album Review: The Tragically Hip — In Peak Form

May 30, 2021
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Pain and catharsis wind through Saskadelphia.

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Opera CD Review: Congolese Tenor Patrick Cabongo Steps into Stardom in a World-Premiere Recording of Meyerbeer’s “Romilda e Costanza”

May 26, 2021
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The composer of Les huguenots and L’Africaine was already an accomplished master at age 26, as this first-rate recording reveals.

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Classical Album Review: Quatour Modigliani plays Haydn, Bartók, and Mozart

May 24, 2021
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Any number of threads that tie these three pieces (and composers) together. But in this instance, such busywork is superfluous: the musical results – blazingly played and flawlessly recorded – speak for themselves.

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