Music
For prog fans who consider that the proof of the pudding is long, complex songs with virtuosic solos and exotic instrumentation, no fear: To The Far Away is multi-textured and musically exciting.
At times, Laurel Hell’s withering fatigue is directed at the clash between commodification and art.
“When you play with authority, then that’s what the music is about, like ooooh baby, and sing it.” — Cecil Taylor
Tenor Mathias Vidal shines, as does the period-instrument orchestra, in the rarely heard, trimmer version of 1761, on the Chateau’s own new award-winning label.
Music Review: “Someone/Anyone? A 50th Anniversary Tribute to Todd Rundgren’s Something/Anything?”
Someone/Anyone? is packed with lots of great music and makes a strong complement to the album it compliments, Something/Anything?
Unlike musicians who operate on the surface and create a beautiful veneer, pianist Lennie Tristano’s music asks harder questions.
Edward Loder’s well-crafted Raymond and Agnes (1855) captures much of the eerie glow of its Gothic model, Matthew Lewis’s once scandalous novel, The Monk.
Temptations 60 celebrates the band’s 60th anniversary, and it strikes a careful balance between looking backward and staying grounded in the here-and-now.
The format may be different, but FKA twigs remains as hypnotic as ever on her album Caprisongs.
Music Commentary: In Memoriam, George Crumb (1929-2022)
George Crumb, who crafted some of the 20th-century’s most brazenly original-sounding and haunting music, lived his life and guided his career on his own terms.
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