Interview
“We take the audience on a journey that’s not part of a traditional approach to opera.”
“I love music, I play every day,” John Lodge says. “I don’t want to let the audience down or myself or the members of my band. They give me 150% every night so I have to be physically and mentally right for them.”
In choreographer Rachel Linsky’s hands — and the bodies of her articulate, reverberating dancers — you gain both kinesthetic and emotional access to the worlds of those who lived the Holocaust.
“I always say if you want to write a blues album, have a nice bad breakup!”
“We have entered an age of unequivocal partisan discourse, of linguistic robotization, of tiny symbols standing for complex emotions. In total contrast to this, Philippe Jaccottet’s writing constantly shows nuance, attentiveness, perseverance, circumspection, and a genuine quest for essential truths.”
Do we feel the environment breakdown in our gut? Will people looking back see art that conveyed the existential threat of the emergency?
Being part of the sprawling I Am the Moon endeavor has been deeply satisfying for this one-time solo traveler. “I’m proud of what we did,” Gabe Dixon said. “I put a lot of myself into this project.”
Music Interview: YouTube Algorithm Causes Major Disruption to Jazz Video Guy, Bret Primack
Bret Primack explains how YouTube has basically nuked the Jazz Video Guy channel. And the same thing is happening to other content creators.
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