Film
William Kentridge spoke of the value of using a mirror to re-learn what he already knew how to do; the clear implication was that we are daily surrounded by mirror-images that we do not see for themselves but that hold the potential to alter our relationships to our tools and to our visions.
Read MoreWhat struck me about “Hunger Games” is that the rules change in Katniss Everdeen’s battle to survive against others like her, including others she likes, might even love.
Read More
A reprise of Fred Hersch’s Leaves of Grass highlights the key role of Boston’s educational institutions; plus, an abundance of performances celebrating CD releases.
Read MoreWhile “The Deep Blue Sea” may be a throwback to another era, director Terence Davies has used his masterful style to engage the audience cinematically and psychologically in an elegant circular structure.
Read MoreIt’s film festival time! That means you need to stretch, exercise, and drink plenty of liquids because there’s a lot to see. The month is capped with an amazing line up of 66 features at the Independent Film Festival of Boston.
Read MoreDirector Johnnie To has a playfulness found in much Hong Kong cinema. He has found a different way to unfold a story, making clear how money and greed can inform everything, but with plenty of room for humor and for good fortune.
Read MoreTwenty-one years after she received a Golden Globe for “Europa Europa,” director Agnieszka Holland returns with another uncompromising vision of perseverance and the power of human connection in the worst of times.
Read MoreWhat’s coming up now in this small gap between the Awards shows and the Film Festival Season? Lots! This month is a cornucopia of adventurous off-the-radar films. March features several great director’s series, Hong Kong, German, and Czech premieres, women directors, local directors, and a range of documentaries on music that you probably never heard of.
Read MoreAugust Strindberg’s work unquestionably has not received the degree of popular acclaim in America that it deserves. It’s a bit mysterious, given that major U.S. playwrights — Eugene O’Neill, Edward Albee, Tennessee Williams — have openly acknowledged their debts to Strindberg.
Read MoreFive strong contenders: production values are high, the actors excellent, and four are beautifully grounded in their settings –- Norway, Calcutta, and two in Ireland.
Read More